Rearview Fridays: Knitted Easter Eggs

After a long week full of cold days and soul searching, I emerge today to acknowledge my blog for the week. I try to write here 3 times per week and more often accomplish 2 entries, but life got the better of me and my time! And every time I tried to formulate an entry, I had nothing and everything to write about. So I waited.

The weather got really cold again, driving us back under big comforters and I felt the impulse to hibernate — truly. Every moment possible I slept, deeply. Whenever a kid slept, there I was! It was awesome really. Disorienting, plan changing, but so good. I still only get a max of 3 hours at a time with a nursing baby at my side, so I do have big, sexy fantasies of 8 hours of uninterrupted, blissful, needtopee-free sleep, alone in a huge bed of course … sigh … and then I shake myself and wonder if I could even do it if it was possible, honestly I’d probably make a craft instead if I had that kind of time!

My Knitted Easter Eggs in a backyard tree, enjoying the burning-off of spring frost in the morning sun. And a door to ... somewhere?! (We're doing some construction)

As for the soul search part, I formally resigned from my work as a managing editor. I won’t return there after my maternity leave. It was time. There was a lot of consideration and I feel truly solid in my decision. But I’m leaving a secure place to land and a known quantity that’s been a part of my life in various forms for the past 10 years. And I’m walking towards an Autumn of mothering with my (paid)work committed to the development of my independent sewing business. I’m giving this working-from-home thing a shot at last.  And I’m very excited!

And for your Reaview Fridays pleasure I present Knitted Easter Eggs! I made them through the late winter of 2009 as my Rudi approached his first birthday. And, bless my ambitious heart, I made one for everyone who attended his first birthday party! I was left with 9 that I use every year now to make an Easter Tree, a weird but beautiful decoration that I feel attached to from childhood. I used this lovely, easy pattern from Lonie May. I think I added a row or 2 to the middles as I like a nice long-bodied egg, made hanging loops and added colours to create patterns. Here they are with some of their real brothers from an Ontario farm:

Cheers to change and bravery and possibility. And to Fridays! Happy weekend.

Rearview Friday: Costume Dolls

I was talking about dolls with a friend last night and my mind wandered in it’s dusty reaches to recall some of the dolls I’ve made in the past. I think it’s time to share these little ladies for today’s Rearview Friday!

I made them, wee versions of us, as a gift for my co-choreographer Lindsay Zier-Vogel on the premiere of our dance work Edith and Eliza in the spring of 2006. The dolls are based on Waldorf dolls (that’s right I was a Waldorf kid! And I have a deep sentimental fondness for these little dolls with the simple faces). If you want to know more about Waldorf dolls, I found a lovely how-to here by Amber Dusick, who also happens to be the brilliant lady behind Parenting. Illustrated with Crappy Pictures. I am a big fan. You probably should be too.

Anyhoooo, back to the dolls: in addition to sort of looking like Lindsay and me, the dolls are dressed in tiny versions of costumes from 2 of our collaborative dance projects, seen in full size and context below. As you can see they each have an envelope. This is because part of our creative process for Edith and Eliza was to actually write and post letters to each other as “Edith” and “Eliza”, fictitious war brides we created to develop a story behind the dance. Some of the text from these letters was woven into the soundscore as a narration. Each letter snaps onto the dolls hand and actually has a wee letter in it. Because I am awesome. And obviously humble. But seriously, it was a really fulfilling creative process. The the doll making was a cherry-on-top project in the fun department.

The dances that the doll’s costumes were made to honour:

Susanne Chui and Jennifer Dallas in Whistling Matilda, a dance film by Rhys Brisbin, Susan Kendal and Lindsay Zier-Vogel, 2004. Photo: Linsday Zier-Vogel.

Susan Kendal in Edith and Eliza by Susan Kendal and Lindsay Zier-Vogel, 2006. Photo: Ted Zier-Vogel.

And lastly, our lovely selves with the dollies. Just before we went into the theatre for the premiere. Edith and Eliza and the costume dolls were the last major dance and crafty-sewing projects I worked on before becoming pregnant and a mommy. Feels like a lifetime ago, but not in a bad way. Just a “huh” way. Life was so utterly different then!

Susan Kendal and Lindsay Zier-Vogel outside the Winchester Street Theatre, Toronto. Showing off the costume dolls just before the premiere of our work Edith and Eliza, part of the Series 8:08 Season Finale, May 2006. Photo: Andrea Roberts.

Cheers to art, all kinds of it, making our lives so full. Happy Friday folks.

Quilting Challenge: March

In the continuation of my 2012 Quilting Challenge to myself I present my March quilting pattern, the acorn! It’s joined here in birth order by leaf and apple, January and February’s offerings respectively.

One more pattern to use on my quilts and burping pads, done.

I love nuts. That sounds a bit wrong but I’ll leave it, cause it’s true! I don’t remember ever seeing a chestnut or an acorn on the ground in Alberta, but they’re everywhere here in Ontario! And while the colour and texture of a chestnut is fantastic, it’s a bit of a blob when it comes to outlining it, not so inspiring. But an acorn, what a charmer! A lovely shape, makes me think of gnomes and chipmunks and quiet, mossy spaces.

I love this acorn in it’s singular context. I might dial the detail down a bit more when using it on a quilt or a burping pad, not sure that the crosshatching is entirely necessary in a different context. Anyways I’m really enjoying this 12-part challenge. Something to look forward to and muse upon. Now I get to cook up April’s quilt …