A number of years ago I saw master crafter and blogger SouleMama’s home studio space, probably around the time it was originally posted in 2007. And since that fateful day I have not been able to get her gorgeous room out of my head. It was the workspace of my dreams, turquoise walls, stacks of fabric, chockablock with whimsey and inspiration. It was as if she’d actualized the room I’d create given, well, the room. I checked in on it often.
Fast forward to 2013 and now I have a proper room of my own! A studio, a workroom, a dreaming, concocting, making place that’s just mine, full of the colours and busy, eclectic-ness that I adore. The first thing I did was paint it turquoise, a very retro shade that I find inspiring.
I have a beautiful White sewing table, circa 1910, courtesy of my thoughtful in-laws. I love all the drawers and doors, it’s Arts and Crafts sensibility. The original machine sits upstairs on a bookshelf so I can enjoy her out of context.
And why yes, that is a fairy door on the lower left of my sewing machine. They’re excellent neighbours, occasionally checking in, but mostly keeping to themselves. My boys are utterly enchanted by it! Day-to-day I work on my schmancy new Janome with which I am still acquainting myself.
I did a major clean up and decided it was time I photographed my studio-room to share here. Naturally the space vacillates between being about this tidy and looking like a crafty bomb exploded in it. Of course this is how I prefer it! When my space is clear(ish) I feel calm inside and the possibilities for creation are not drowned out by the thousand things to pick up or deal with.
My walls are covered in things that inspire me. Old buttons, sewing bits and bobs, art made by friends so that I am not only surrounded by beautiful things to look at but those pieces are attached to dear, creative folk. I never feel lonely.
Historically I’ve been one for a subdued, autumn pallet of colours, but lately, increasingly, bright colours are appealing to me. After using colour sample cards for programs in one of my dance shows, I decided to make some bright, happy art from the leftovers. Flanking my recently acquired Underwood typewriter sit a turquoise Singer I rescued from garbage day and sweated home on the Toronto subway system many moons ago, and my grandmother’s singer.
Jars of curios and little-boy treasures sit beside useful items like machine oil, a pencil sharpener and my craft-sized Tiny Serger. Since it’s a basement room, there used to be another window, but a kitchen was added to the house years ago on that side. The renovators cleverly created a little shelf in the old window cavity. Naturally I made this into my own wee gallery. Currently on display: some early Anne of Green Gables editions and hand-bound art books by my friend Lindsay Zier-Vogel. I’m thinking next year I might curate a monthly mini art show that I share on my blog once per month. So stay tuned. And keep inspired!
I have spent the last month building a crowdfunding campaign to get a new, microprocessor prosthetic knee for my dear friend Christa Couture. She happens to be a childhood cancer survivor, though the disease left her without a leg. As a musician without extended health care, the prosthetics available to her are serviceable, but there’s a world of microprocessor technology out there that helps immensely in balancing an amputee’s weight, allowing stair climbing and descent leg-over-leg (as we with 2 legs generally do) and backwards motion, among other things. As a musician who tours Canada and Europe regularly, Christa is often hefting gear and this knee component will make an enormous difference in her life — both day-to-day and professionally.
Pocket Alchemy 